Taking as a starting point an interpretation of the television medium as an Ideological State Apparatus, this book examines how gender roles and non-heteronormative sexualities are constructed in Spanish and Catalan television series. As such, this book addresses the role performed by television in the construction of meanings which surround gender issues and non-heteronormative sexualities.
This book argues for the importance that Ramiro de Maeztu's relationship with England had on both his intellectual trajectory and on the culture and politics of Spain during this time. Particular attention is devoted to Maeztu's London period (1905-1919), which provides a fascinating insight into how Spaniards of the time perceived not just Britain but Western Europe as a whole.
This collection of essays provides both critical and interdisciplinary means for thinking across diasporic travels within the Portuguese experience and its intersection with other peoples and cultures.
Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luís Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but also the wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist.
This fascinating study of newspapers in 1920s Portugal explores how the new “modernist reportage” embodied the spirit of the era while mediating some of its most spectacular episodes, from political upheavals to lurid crimes of passion.
This book describes the contemporary re-imagining of Basque nationhood in both Spain and France. Taking a fresh look at the history of Basque nationalist movements, it explores the new debates that have emerged since the demise of non-state militancy.
The classical view of science in the Spanish Netherlands harbors implicit assumptions, which need to be reconsidered in the light of contemporary historiography. Approaching the history of science from the perspective of the circulation of knowledge, this book indicates new paths of research furthering the integration of the history of science into wider, general history.
Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama. Drawing on both national practices of production and reception and international theories of textual analysis this book offers the first study of contemporary quality TV drama in two countries.
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